The rapid development of entertainment technology was assisted by improvements in data storage devices such as cassette tapes or compact discs, along with increasing miniaturisation. Computerisation and the development of barcodes also made ticketing easier, faster and global.
Tinashe thought she might have hit on her hands with “Nasty” — but never expected it become such a viral success. The R&B and pop star spoke with the AP’s Gary Gerard Hamilton about her new album “Quantum Baby,” how she now defines success, and maintaining career momentum over the years through changes in the the music industry.
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M. Night Shyamalan has been at least partly self-financing his films since 2015’s “The Visit,” risking his own money on box office success. His latest is “Trap,” starring Josh Hartnett as a father with a secret and Shyamalan’s daughter Saleka as a pop star whose concert is surrounded by police looking to capture a serial killer.
Mosaic showing Roman entertainments that would have been offered at the gladiatorial games, from the 1st century The "ancient craft of communicating events and experiences, using words, images, sounds and gestures" by telling a story[16] is not only the means by which people passed on their cultural values and traditions and history from one generation to another, it has been an important part of most forms of entertainment ever since the earliest times. Stories are still told in the early forms, for example, around a fire while camping, or when listening to the stories of another culture as a tourist. "The earliest storytelling sequences we possess, now of course, committed to writing, were undoubtedly originally a speaking from mouth to ear and their force as entertainment derived from the very same elements we today enjoy in films and novels."[17] Storytelling is an activity that has evolved and developed "toward variety".[17] Many entertainments, including storytelling but especially music and drama, remain familiar but have developed into a wide variety of 九游娱乐投注网 form to suit a very wide range of personal preferences and cultural expression.
Aristotle posed questions such as "What is the function of the arts in shaping character? Should a member of the ruling class merely watch performances or be a participant and perform? What kind of entertainment should be provided for those who do not belong to the elite?"[101] The "Ptolemys in Egypt, the Seleucids in Pergamum" also had a strong theatrical tradition and later, wealthy patrons in Rome staged "far more lavish productions".[102][103]
However, as cultures become more sophisticated, national nuances appear in the style and references so that what is amusing in one culture may be unintelligible in another.[91]
What is entertainment for one group or individual may be regarded as work or an act of cruelty by another.
The familiar forms of entertainment have the capacity to cross over into different media and have demonstrated a seemingly unlimited potential for creative remix. This has ensured the continuity and longevity of many themes, images, and structures.
The process has been accelerated in modern times by an entertainment industry that records and sells entertainment products. Entertainment evolves and can be adapted to suit any scale, ranging from an individual who chooses private entertainment from a now enormous array of pre-recorded products, to a banquet adapted for two, to any size or type of party with appropriate music and dance, to performances intended for thousands, and even for a global audience.
In some courts, such as those during the Byzantine Empire, the genders were segregated among the upper classes, so that "at least before the period of the Komnenoi" (1081–1185) men were separated from women at ceremonies where there was entertainment such as receptions and banquets.[33]
Michael Keaton says it would have been a “huge mistake” for his titular trickster ghost character to get significantly more screen time in “Beetlejuice Beetlejuice” than he did in the first film.
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AP entertainment journalist Leslie Ambriz sat down with the 31-year-old performer in Los Angeles to talk about her love of film, personal growth — and controversy over her “Aceita” music video, which shows rituals from her Afro-Brazilian faith Candomblé.